Posts Tagged: Appeal

Meta will have to sell Giphy after losing UK appeal

Meta will have to unwind one of its significant acquisitions. The UK's Competition and Markets Authority (CMA) regulator has ordered Meta to sell Giphy after it lost its battle at the Competition Appeal Tribunal. While the CMA reviewed the decision in July after the tribunal sided with Meta on one issue (sharing sensitive third-party information), it found that the deal could still hurt competition by limiting rivals' access to Giphy GIFs, requiring unfavorable terms and reducing digital advertising choices.

Meta bought Giphy in May 2020 at an unofficially estimated price of $ 400 million. The company hoped the purchase would improve finding GIFs and stickers in Instagram's Stories and direct messaging. While the firm maintained that Giphy would be "openly available" to others, the CMA launched an investigation a month later and determined in August that year that the buyout would harm competition in social media and advertising. Meta rejected those claims and appealed the November 2021 order to sell Giphy, arguing that the improvements would ultimately offer "more choices for everyone."

A Meta spokesperson told Engadget the company was "disappointed" with the CMA's decision, but that it would honor the outcome and cooperate on selling Giphy. The social network operator added it would still consider acquisitions to provide more "innovation and choice."

The failure of the Giphy deal won't necessarily damage Meta's business. However, it comes as officials reexamine the company's purchases of Instagram and WhatsApp. The Federal Trade Commission has gone so far as to sue over the acquisition of VR workout app developer Within over concerns it might stifle the virtual fitness market. Meta's habit of snapping up companies is under close scrutiny, and the Giphy deal reversal certainly won't alleviate the pressure. You can read Meta's full statement below.

"We are disappointed by the CMA’s decision but accept today’s ruling as the final word on the matter. We will work closely with the CMA on divesting GIPHY. We are grateful to the GIPHY team during this uncertain time for their business, and wish them every success. We will continue to evaluate opportunities – including through acquisition – to bring innovation and choice to more people in the UK and around the world." — Meta company spokesperson

Engadget is a web magazine with obsessive daily coverage of everything new in gadgets and consumer electronics

Amazon is planning to appeal Staten Island union’s victory

Amazon will reportedly object to a recent union election victory at its warehouse in Staten Island, alleging that organizers pressured workers into voting to organize. The Wall Street Journal reported that the company revealed its intention to appeal JFK8’s election in a legal filing released to the public on Thursday. Roughly 55 percent of workers at the JFK8 warehouse voted to join the Amazon Labor Union, the first victory of its kind for Amazon workers in the US. The company has until April 22nd to gather evidence and formally file its objections to the National Labor Relations Board (NLRB).

In the document, Amazon gave a preview of what objections it plans on raising. The company wrote that it believes that the union threatened employees unless they voted to unionize. Some may think this is a fairly ironic move on Amazon’s part, considering NLRB accused the company of threatening employees unless they did the opposite. Amazon also accused the union of “electioneering” or interfering while employees waited in line to vote. It argued that unusually long waits at polling booths led to insufficient voter turnout. The company also believes organizers loitered by the polling area and intimidated voters, even going as far as to threaten immigrant employees with the loss of their rights if they didn’t vote to unionize.

Eric Milner, an attorney who represents the ALU, believes that Amazon’s objections will be dismissed. "To say that the Amazon Labor Union was threatening employees is really absurd," Milner said to Reuters. "The Amazon Labor Union is Amazon employees."

Meanwhile, a separate labor union attempting to organize an Amazon facility in Alabama filed its own objections on Thursday regarding the pending results of its recent rerun election. The Retail, Wholesale and Department Store Union (RWDSU) is accusing Amazon of “countless attempts to intimidate workers” in the Bessemer plant, including firing or suspending workers who supported the union. The results of that election are currently too close to call and will be determined in the coming weeks by an NLRB hearing over several hundred challenged ballots.

“Amazon’s behavior must not go unchallenged, and workers in Bessemer, Alabama must have their rights protected under the law. We urge the NLRB to carefully review our objections and ensure no company, not even with the bottomless pockets of Amazon, is allowed to act above the law,” said RWDSU president Stuart Appelbaum in a statement.

Engadget has reached out to Amazon for comment on both matters, and will update if we hear back. 

Engadget is a web magazine with obsessive daily coverage of everything new in gadgets and consumer electronics

Appeal of Conscience Foundation Remarks

The following speech was delivered last night by Susan Wojcicki at the Appeal of Conscience Foundation Awards Dinner. Founded in 1965, the Appeal of Conscience Foundation is an interfaith coalition of business and religious leaders that works to promote religious freedom and human rights throughout the world.

It’s an honor to be here tonight.

You’ve helped create a more peaceful world, and your work to bring diverse voices together is particularly important to me.

I have a deep appreciation for interfaith discussions, since I saw them around the kitchen table in my childhood. My mother came from a religious Jewish family and my father came from a Polish Catholic family. And as a result, I grew up learning to accept and appreciate so many different points of view.

For more than 50 years, the Appeal of Conscience Foundation has promoted mutual understanding.

At YouTube, we haven’t been around quite as longjust 14 years, to be exact. But we have a similar mission. We’re enabling understanding through digital dialogue, and we’re bringing people together with shared interests in virtual communities.

I was lucky I was one of the few people in the world to see online videos when this medium started. The first video I saw was of some purple puppets singing in a foreign language. I wasn’t sure what to think. When it ended there was a long pause because none of us knew what to think. And then my kids shouted, “Play it again!”

As more videos came online there were wacky and funny videos, but also many videos of people talking directly to the camera sharing something important about their livesa passion, a funny moment or a hard day.

It was immediately clear to me that people wanted to share their stories with others. But what surprised me even more is that so many other people wanted to hear these stories. From the very beginning, I could see that YouTube was a place for coming together in new ways and sharing our humanity.

Today, two billion people come to YouTube every month. Their reasons are differentsome want to connect with others around a shared passion like woodworking or see the latest in fashion. Others want to watch the hottest music video, learn a foreign language, listen to religious sermons of all faiths, or perfect a job skill.

For the first time in history, with a phone and an internet connection, everyone can access a global video library and anyone can post videos and find a global audience. We call the people who publish videos “creators.”

There are more than 500 hours of video uploaded to YouTube every minute by creators.

Collectively, creators have generated the world’s largest video library of How To contentfrom how to play an instrument to how to fix an appliance. And they’ve created new mediums like vlogging, gaming and music mashups.

But we know that with this scale comes responsibility. That’s why responsibility is my number one priority.

Before I talk further about our important work on this front, I’d like to share a few examples of how online spaces foster dialogue and help build mutual understanding.

When I watched my first YouTube video, I could never have imagined that someday a teenager named Claire Wineland would start a YouTube channel out of her bedroom in California to cope with the complications of living with cystic fibrosis.

Claire saw the way we treat illness in our society, and she wanted something different. Claire passed away last year, but she leaves behind a legacy of videos to help us understand how to support someone who is struggling with serious medical issues.

When I watched my first YouTube video, I never could have imagined that someday Jenny Doan, a mother of seven in Missouri, would create a business out of quilt making by posting How To Quilt videos on YouTube.

Ten years after her son first encouraged her to post a tutorial, her channel has helped to transform her town into what they now call “the Disneyland of quilting”creating jobs and drawing thousands of tourists every month who share a passion for quilting.

Every day, there are many more stories like these unfolding on YouTube.

And that’s why I’m so focused on our responsibility. It’s critical that we get this right.

Our responsibility efforts are focused on the 4 Rs:

  • Our first RRemove. We’re removing content that violates our policies as quickly as possible. In the last quarter alone, we removed 9 million videos, the majority of which were first flagged by machines and removed before even getting a single view.

  • Second, Raise: we raise up authoritative voices in searches and recommendations for news and information,

  • Third, Reduce: we’re reducing recommendations of the content that brushes up against our policies,

  • And finally, Reward. We set an even higher bar for videos on YouTube that make money on our site.

We’re working hard to implement all of the four Rs in a way that’s both fair and transparent for all our users and creators.

That’s why we’re continuing to invest in cutting-edge machine learning technology and why we’ve dedicated more than 10,000 people across Google to take on problematic videos.

These are historic times. Never before have we had the opportunity for so many around the globe to connect online, express their points of view, and create virtual communities, all under the same roof.

Having a digital town square where the world can come together and discuss everything has created some challenges…but it has also created extraordinary opportunities.

It’s these opportunities that inspire me every day. As we take on these complicated and unprecedented issues of responsibility at scale, I think about the decisions of today through the lens of the future. What will the critics say when they write their commentaries about this unique period of time?

I want to be sure that we’re on the right side of history, providing a blueprint for open platforms to protect but also empower the next generation of storytellers.

Thank you to the Appeal of Conscience Foundation for your efforts, and for encouraging all of us to make the world a better place.


YouTube Blog

Ozuna: ‘Música Sin Fronteras’ – Appeal of Puerto Rico’s reggaeton sensation knows no borders

“Back then there was salsa,” reflects 25-year-old Puerto Rican superstar Ozuna in the new documentary “Musica Sin Fronteras.” “In another era you had rock, then you had time for electronic music. Well now today it’s time for reggaeton.”

Led by the meteoric rise of “Despacito,” with its 4 billion views and counting, reggaeton and other Latin genres have dominated YouTube’s charts all year, with no signs of slowing. Currently, six of the top ten music videos on YouTube’s charts are by Latin artists, with tracks like J Balvin’s “Mi Gente” looking like they might give “Despacito” a run for its record-breaking money.

Arriving right on cue is Ozuna, who for the past three weeks has reigned at the top slot of the global YouTube Artists chart. Produced by YouTube, “Musica Sin Fronteras” traces Ozuna’s rise from local talent shows at his school to the biggest stages in the world, all while celebrating Puerto Rico’s vibrant musical culture.

“YouTube is a universal platform that allows me to reach people in Japan, China or Egypt, countries that I would never be able to reach otherwise” the San Juan, Puerto Rico, native explains. “It is the most important platform to reach the entire world.”

Writing his first song at the young age of 12, Ozuna found early inspiration from other Puerto Rican artists who turned to YouTube to spread their music. What followed were a series of do-it-yourself videos showcasing the young singer and songwriter’s undeniable raw talent. “They were low-budget videos: just us in the rain with a camera and an umbrella.” Ozuna explains with a laugh. “But they came from the heart. It was starting something from nothing.”

With time the production quality increased — and so did the view counts. Early fan favorites like 2015’s “Si Tu Marido No Te Quiere” crossed 100 million views within a year of being uploaded. But while this early work established the Puerto Rican native as an undeniable star, it was the release of his debut LP “Odisea” that helped Ozuna truly cement a chapter in reggaeton’s global success. A vast departure from the EDM maximalism that reggaeton was known for in the mid-’00s, the album’s distinct sound — replete with glowing trap beats, arresting dembow rhythms and Ozuna’s unmistakable falsetto — resonated far beyond San Juan, earning massive views in places like Bogotá (317 million), Mexico City (285 million), New York (74 million) and Barcelona (31 million). Ozuna’s subscriber count now stands at over 8.1 million, with his total views across the platform recently crossing the 8 billion views mark.

“I carefully try to plan how I release my music,” Ozuna explains of his continued viral success. “I start by uploading my music videos to YouTube before anywhere else. This is to guide everyone to one single place. That way they can enjoy the full experience: the song, the visuals, the meaning.”

It’s a strategy the singer took to new heights with the video for “Siguelo Bailando,” the latest single from his debut. Teaming with YouTube, Ozuna is leveraging the power of his social media following to speed up the release of the highly anticipated video — when the hashtag #SigueloBailando hits 20,000, fans across the world can simultaneously experience the video’s premiere on YouTube.

For Ozuna, the creative release is yet another way to spread his music to wider and wider audiences. “I put on YouTube one single and, in 20 hours, have 5 million, 6 million people,” the crooner recently explained to the New York Times on his continued success. “In one month, I have 100 million. In one year, 1 billion.”

The YouTube Music Team


YouTube Blog